Floater
Well-known member
It feels a little bit wrong somehow to put the piece online before I have gifted it to my friend, and I have this irrational fear of "what´s going to happen to it in the digital space" and "what if I´m jinxing everything by sharing it" but those are just magical thinking. Then again, the process of painting is magical thinking in a way. I do not plan or think, I just let the brush move and for most of the part am, for once, not terrified of making mistakes. My initials AS can be seen in the lower lefthand corner as proof that I´m proud of what I did especially after such a long break from painting.
So here it is: my two-headed dragon in a fairytale Midsummer garden, asking itself all the important questions and answering them from two different perspectives, looking back at the viewer, maybe challenging their perception. I did my best to include Ms Civilian Friend´s favorite colors in it - jewel tones of blue, green, and purple. The lack of perspective is intentional and meant to pay homage to medieval tapestries and manuscript margin scribbles. There is no separation between the sky and the ground, the dragon exists in a moment of togetherness and dialogue within itself and its surroundings.
So here it is: my two-headed dragon in a fairytale Midsummer garden, asking itself all the important questions and answering them from two different perspectives, looking back at the viewer, maybe challenging their perception. I did my best to include Ms Civilian Friend´s favorite colors in it - jewel tones of blue, green, and purple. The lack of perspective is intentional and meant to pay homage to medieval tapestries and manuscript margin scribbles. There is no separation between the sky and the ground, the dragon exists in a moment of togetherness and dialogue within itself and its surroundings.